In their original Greek version, Doric columns stood directly on the stylobate of a synagogue without a base; their vertical shafts were fluted with pair concave grooves; and they were pass by a smooth ceiling that flared from the column to escort a square abacus at the converging with the entablature that they carried. A pronounced feature of both Greek and Roman versions of the Doric order are the triglyphs and metopes. The triglyph is largely thought to be a representation in stone of the wooden send off ends of the typical e arthy hut. A metope is the space between ! devil triglyphs of a Doric frieze. Metopes were often decorated with carvings; the most celebrated example is the metopes of the frieze of the Parthenon. The Greeks matte up that the receding triglyph should form the corner of the entablature, creating an inharmonious mismatch with the encouraging column. Which is more symbolic of what the entabulature would assimilate looked like in uninitiate buildings....If you want to get a full essay, order it on our website: BestEssayCheap.com
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